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Remix draws broad inspiration from various sub-genres of electronic dance music. It was one of my first earnest explorations of EDM in my own music and looking at the work 10 years on from having written it, I find it interesting to see what sorts of cues I took from that source material at the time, and in what ways Remix wildly diverges from that path.

Beyond the largely diatonic language and shifting patterns, much of the gestural language for the instruments was conceived to sound melodically disjointed in a way that suggests a step-sequencer. On the other hand, and in contrast to many genres of sequencer-based dance music, the form of Remix is rather labyrinthine, and while loosely based on the opening violin motif in various incarnations, the piece just as often spins off in different directions. -Ryan Francis


from Wild Cities, released July 8, 2016
Francesca Anderegg, violin, Brent Funderburk, piano, Cameron Wiley, engineer



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Francesca Anderegg Minneapolis, Minnesota

Hailed by the New York Times for her “rich tone” and “virtuosic panache,” violinist Francesca Anderegg performs contemporary and classical music. Through her inventive programming, composer collaborations, and precise yet impassioned interpretations, she has earned renown as a musical explorer of the first order. "This was playing that had it all — taste, mastery, sensuality." – Norman Lebrecht ... more

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